OWNLIFE [deluxe]

by Arthur Loves Plastic

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Swipe 02:56


OWNLIFE, the new tour-de-force from Arthur Loves Plastic, opens sounding like Montana-flavored The Chemical Brothers on antibiotics, drawing influences from Kraftwerk and Avicii, with a knowing nod to (the criminally underrated) Brian Wilson.

OWNLIFE is the singer-songwriter-rock-ers' attempt at bucolic, lovelorn, dreamlike dabbling EDM.

OWNLIFE relies on the safe, universally beloved trick of noisy, atonal jams that last for three minutes—for good reason: Stanton was writing this music in a motel room near the airport. Thus, OWNLIFE marks a musical turning point.

"Last Gasp of the Dinosaurs" echoes strains of a Breeders-esque soundscape, with a penchant for plaintive guitar soundscape and indulgent vocal reboot, while the harder-edged "Music Brings Me Joy" draws chem trails across the sky, reminiscent of Daft Punk on 4-Hour Energy Drink. However, Arthur Loves Plastic slows it down with "Swipe," turning the wet matches of tinder into intensely emotional, swirling, plaintive art-wave.

Videos at bev.click/alpownlife


released January 1, 2018

Produced by Bev Stanton. Features vocal samples from The Window Shoppers and Lisa Moscatiello. This Deluxe version includes remixes of Swipe and Last Gasp of the Dinosaurs by Larry Poulton.


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Arthur Loves Plastic Washington, D.C.

Arthur Loves Plastic sounds like the hour before the Singularity; dominant machines clicking and humming in rhythm and harmony with a touch of subversive humanity. Arthur Loves Plastic is the melody of neurotransmissions firing into random access memory. Arthur Loves Plastic is for people who require a machine to buffer their contact with others. ... more

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